- F I IV V 12 Bar Blues QC 077bpm1:58
- F I IV V 12 Bar Blues QC 096bpm1:34
- F I IV V 12 Bar Blues QC 120bpm1:15
- F I IV V 12 Bar Blues QC 132bpm1:02
- F I IV V 12 Bar Blues 077bpm2:00
- F I IV V 12 Bar Blues 096bpm1:36
- F I IV V 12 Bar Blues 120bpm1:16
- F I IV V 12 Bar Blues 144bpm1:03
Some F Blues Chord Progressions
Track #2: Quick-change 12 Bar Blues in F
I-IV-V
Track #1: Simple 12 Bar Blues in F Major
Progression in Roman numerals: I-IV-V
F Major Chord Jam Track: All F Major
Progression in Roman numerals: I
For these F Blues tracks, experiment with these scales:
F Major pentatonic: F, G, A, C, D (underlined notes, pp. 31-32)
F minor pentatonic: F, Ab, Bb, C, Eb (notes in white boxes p. 32)
See these scales with a Fretboard Toolbox:
- Use pages 31-32 of any Complete Edition
- note with (*) is the "flat-5"/"blues note"
- F V IV I 070bpm1:51
- F V IV I 088bpm1:28
- F V IV I 110bpm1:10
- F V IV I 132bpm0:58
Track #3: C-Bb-F
V-IV-I
| Chord Name | Roman Num. | Chord Notes |
| F Major | I | F, A, C |
- F I bVII IV 070bpm1:47
- F I bVII IV 088bpm1:25
- F I bVII IV 110bpm1:08
- F I bVII IV 132bpm0:56
- F I bVII I 043bpm2:22
- F I bVII I 054bpm1:53
- F I bVII I 072bpm1:30
- F I bVII I 090bpm1:15
- F I bIII IV 064bpm1:47
- F I bIII IV 080bpm1:25
- F I bIII IV 100bpm1:08
- F I bIII IV 120bpm0:56
- F I bIII I 064bpm1:54
- F I bIII I 080bpm1:31
- F I bIII I 100bpm1:13
- F I bIII I 120bpm1:00
Track #4: F-Ab-F
I-bIII-I
Bar 1-4: I-IV-I-I Bar 5-8: IV-IV-I-I Bar 9-12: V-IV-I-V
The "IV" chord in the second bar is the "quick-change".
| Chord Name | Roman Num. | Chord Notes |
| F Major (F) | I | F, A, C |
| C Major (C) | V | C, E, G |
| Bb Major (Bb) | IV | Bb, D, F |
| Ab Major (Ab) | bIII | Ab, C, Eb |
The whole goal of Fretboard Toolboxes is not to memorize all of the notes of each key, scale, and chord -- it's to help you build mental & visual maps of the common shapes you'll use for chords & scales, which leads to strong ear and muscle memory!
Bar 1-4: I-I-I-I Bar 5-8: IV-IV-I-I Bar 9-12: V-IV-I-V
The "V" chord in the 12th bar is called the "turn-around".
-First try playing the minor pentatonic scale over this track to get a cool, dark, bluesy sound. (The notes in WHITE BOXES on the even-numbered Blues key pages of any Complete Edition).
-Next, try the Major pentatonic scale with the same track & you'll completely change the feel to sound warmer & more country-like. (All underlined notes in Complete or Essential Editions).
-Great blues players use both scales, often in the same song!
| Scale degree | 1 | 2 | b3 | 3 | 4 | b5 | 5 | 6 | b7 | 7 | ||
| F Major pentatonic | F | G | A | Bb | C | D | E | |||||
| F minor pent. | F | Ab | Bb | * | C | Eb |
| Scale degree | 1 | 2 | b3 | 3 | 4 | b5 | 5 | 6 | b7 | 7 | ||
| F Major pentatonic | F | G | A | Bb | | C | D | E | ||||
| F minor pent. | F | Ab | Bb | * | C | Eb |
Track #7: F-Eb-Bb
I-bVII-IV
Track #6: F-Eb-F
I-bVII-I
Track #5: F-Ab-C
I-bIII-IV
- F I 051bpm1:52
- F I 064bpm1:30
- F I 080bpm1:11
- F I 096bpm0:59
| Scale degree | 1 | 2 | b3 | 3 | 4 | b5 | 5 | 6 | b7 | 7 | ||
| Bb Major pentatonic | Bb | C | D | Eb | F | G | A | |||||
| F minor pentatonic | F | Ab | Bb | * | C | Eb |
| Scale degree | 1 | 2 | b3 | 3 | 4 | b5 | 5 | 6 | b7 | 7 | ||
| F minor pentatonic | F | G | Ab | A | Bb | * | C | D | Eb | E |
| Scale degree | 1 | 2 | b3 | 3 | 4 | b5 | 5 | 6 | b7 | 7 | ||
| F minor pentatonic | F | G | Ab | A | Bb | * | C | D | Eb | E |
| Chord Name | Roman Num. | Chord Notes |
| F Major (F) | I | F, A, C |
| Ab Major (Ab) | bIII | Ab, C, Eb |
| Eb Major (Eb) | bVII | Eb, G, Bb |
| Bb Major (Bb) | IV | Bb, D, F |
Take a look at all of the chords listed on this page, and then look at
the five minor pentatonic notes in white boxes. The root note of all
of the (Major) chords on this page are minor pentatonic notes!
| Scale degree | 1 | 2 | b3 | 3 | 4 | b5 | 5 | 6 | b7 | 7 | ||
| F minor pentatonic | F | G | Ab | A | Bb | * | C | D | Eb | E |
Track #8: F-Ab-Eb-Bb
I-bIII-bVII-IV
| Scale degree | 1 | 2 | b3 | 3 | 4 | b5 | 5 | 6 | b7 | 7 | ||
| F minor pentatonic | F | G | Ab | A | Bb | * | C | D | Eb | E |
| Scale degree | 1 | 2 | b3 | 3 | 4 | b5 | 5 | 6 | b7 | 7 | ||
| F Major pentatonic | F | G | A | Bb | C | D | E | |||||
| F minor pent. | F | Ab | Bb | * | C | Eb |
| Chord Name | Roman Num. | Chord Notes |
| F Major (F7) | I(7) | F, A, C, (Eb) |
| Bb Major (Bb7) | IV(7) | Bb, D, F, (Ab) |
| C Major (C7) | V(7) | C, E, G, (Bb) |
| Chord Name | Roman Num. | Chord Notes |
| F Major (F7) | I(7) | F, A, C, (Eb) |
| Bb Major (Bb7) | IV(7) | Bb, D, F, (Ab) |
| C Major (C7) | V(7) | C, E, G, (Bb) |
- F I VI V bIII 064bpm1:56
- F I V IV bIII 080bpm1:33
- F I V IV bIII 100bpm1:14
- F I V IV bIII 120bpm1:01
- F I bIII bVII IV 070bpm1:48
- F I bIII bVII IV 088bpm1:26
- F I bIII bVII IV 110bpm1:12
- F I bIII bVII IV 132bpm0:57
| Chord Name | Roman numeral in Bb Major | Roman numeral in F Blues | Chord Notes |
| F Major | V | I | F, A, C |
| Eb Major | IV | bVII | Eb, G, Bb |
| Bb Major | I | IV | Bb, D, F |
If you think of this progression as a V-IV-I in Bb Major, and play the Bb Major pent. scale, it sounds warm. But if you think of it as a I-
bVII-IV in F Major, you can play F minor pent. (which sounds
dark) OR F Major pent. (which also sounds warmer, but different)!
| Chord Name | Roman Num. | Chord Notes |
| F Major (F) | I | F, A, C |
| Eb Major (Eb) | bVII | Eb, G, Bb |
Flat-7 chords (bVII) get used lots in all kinds of music including bluesy-rock, bluegrass, country, and more. They're used WAY
more often than the "real" 7 chord, called a "diminished" chord.
Experiment with the F minor pentatonic, and then the F Major pentatonic (adding in some Bb & Eb notes) for different sounds!
| Chord Name | Roman Num. | Chord Notes |
| F Major (F) | I | F, A, C |
| Ab Major (Ab) | bIII | Ab, C, Eb |
IMPORTANT: In Fretboard Toolboxes, any time you see a chord or
a note in italics, it means that something is outside of the key.
Each "rule-breaking" note or chord has it's own sound. When
you recognize a rule is being broken, try to figure out how it's
being broken & learn the unique sound of each "rule-breaker"!
| Chord Name | Roman numeral in F Major | Chord Notes |
| C Major (C) | V | C, E, G |
| Bb Major (Bb) | IV | Bb, D, F |
| F Major (F) | I | F, A, C |
This progression is another one that shows the power of scales to change the songs feel. If you play the F Major pentatonic scale with this progression, it sounds warm & sweet. However, if you play the F minor pentatonic scale, it sounds super dark! Try mixing and matching them and see what you come up with!
To play dominant 7 chords (like F7), just add the note shown in parentheses in the "Chord Notes" column to the Major chord.
Play this through once soloing with the minor pentatonic, then
use the Major pentatonic the next time to hear a BIG difference!
| Scale degree | 1 | 2 | b3 | 3 | 4 | b5 | 5 | 6 | b7 | 7 | ||
| F Major pentatonic | F | G | A | Bb | C | D | E | |||||
| F minor pent. | F | Ab | Bb | * | C | Eb |
Now see how many of these chord progressions you can play along with when you don't know which track is coming up next! Use the Roman numerals that show up in the audio player as your clues & practice learning those Roman numerals here!
This is where you really start going a long ways towards training your ear and building the muscle memory you need to play songs "on the fly"!
| Scale degree | 1 | 2 | b3 | 3 | 4 | b5 | 5 | 6 | b7 | 7 | ||
| F minor pentatonic | F | G | Ab | A | Bb | * | C | D | Eb | E |
| Chord Name | Roman Num. | Chord Notes |
| F Major (F) | I | F, A, C |
| Ab Major (Ab) | bIII | Ab, C, Eb |
| C Major (C) | IV | C, E, G |
Noodle around with the minor pentatonic scale while this track is being played, and then notice which notes sound best over which chord. The best sounding notes are most often part of the chord that's currently being played. It's like this in all keys!
- F I IV V 12 Bar Blues 120bpm1:16
- F I V IV bIII 120bpm1:01
- F I V IV bIII 100bpm1:14
- F I V IV bIII 080bpm1:33
- F I bIII bVII IV 132bpm0:57
- F I bVII IV 110bpm1:08
- F I bVII IV 132bpm0:56
- F I bIII bVII IV 088bpm1:26
- F I bIII bVII IV 110bpm1:12
- F I bVII IV 088bpm1:25
- F I bVII I 090bpm1:15
- F I bVII I 072bpm1:30
- F I bVII I 054bpm1:53
- F I bIII I 120bpm1:00
- F I bIII IV 080bpm1:25
- F I bIII IV 100bpm1:08
- F I bIII IV 120bpm0:56
- F I bIII I 100bpm1:13
- F I bIII I 080bpm1:31
- F V IV I 132bpm0:58
- F V IV I 110bpm1:10
- F V IV I 088bpm1:28
- F I IV V 12 Bar Blues QC 132bpm1:02
- F I IV V 12 Bar Blues QC 120bpm1:15
- F I IV V 12 Bar Blues QC 096bpm1:34
- F I IV V 12 Bar Blues 144bpm1:03
- F I IV V 12 Bar Blues 096bpm1:36
- F I 096bpm0:59
- F I 080bpm1:11
- F I 064bpm1:30
- F I 051bpm1:52
- F I VI V bIII 064bpm1:56
- F I bIII bVII IV 070bpm1:48
- F I bVII IV 070bpm1:47
- F I bVII I 043bpm2:22
- F I IV V 12 Bar Blues QC 077bpm1:58
- F V IV I 070bpm1:51
- F I bIII I 064bpm1:54
- F I bIII IV 064bpm1:47
- F I IV V 12 Bar Blues 077bpm2:00
All of this page's Tracks on Shuffle!
Track #9: F-C-Bb-Ab
I-V-IV-bIII